Sometimes I sit here trying to coax words to come out and play. I think of them wafting in the wind, high above the clouds, like Platonic ideas separated from our world and yet forever intertwined with it. I've always thought of words as being available, ready and willing to be strung along, if only the writer allows himself to become receptive to their quiet message of possibility and creativity. Sit still and they will drift from the clouds to your page. That's what I tell myself when I feel like I am getting nowhere. In this sense writing is no different from all other art forms; we have the tools, we should just use them. Words are to a writer what colours are to a painter, aren't they? When I think of the similitude between expectant canvas and expectant page, glaring as it may appear, I feel that this idea of 'blankness to fill', with words or colours, doesn't quite pay justice to the inherent difficulty of creating, of moving from one state of matter (blank, emptiness, nothingness) to another (colour, story, painting). But is the page really blank? Aren't words in existence regardless of my putting them on the page? What happens when I decide to inject them with a specific type of life on my page? Many years ago I read that Michelangelo detested oil painting. He saw landscape painting as 'a vague and deceitful sketch, a game for children and uneducated men' and portraiture as 'a... Read more →