I was recently perusing the contents of one of my bookshelves, the one with the thick, ancient anthologies that I've had for many years. One of these is a hardback volume that I picked up for three quid in a charity shop: The Penguin Book of Vampire Stories edited by Alan Ryan. This is a classic book to own if you're a Gothic scholar, an English literature undergraduate or a reader with a little more than a passing interest in vampires. Over the years, I've been all three, but it was as a reader, and a very young one at that, that I most often returned to one story in particular: Carmilla. It is a seminal novella for sure, but one that has not elicited the same widespread interest as Polidori's The Vampyre before it, or Stoker's Dracula after. Yet, the very subtle combination of innovative themes and skillful execution make it unique to this day. I've decided to share a few thoughts about Carmilla which those of you in the middle of research (or various degrees) may find of interest. As I am working on a comprehensive bibliography of vampire literature, both primary and secondary, to make available for download, it would be silly not to talk about the most pivotal story of its kind. And, of course, it's always nice to be able to recycle one's own PhD thesis. The biblio quotations throughout are indeed from The Penguin Book of Vampire Stories, although please note that the edition... Read more →